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Ballet Luminary Matthew Ball on Demanding Parts and Online Scrutiny: 'I Don't Feel Protective About My Body'

In the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly straight-backed, his limbs muscular beneath a simple white T-shirt. On stage, ballet dancers can appear as powerful deities, yet frequently in person they are petite. Not so Ball, whose tall stature is part of his demand for princely roles and pas de deux work. Possessing delicate features and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Pinnacle

At 31, Ball is experiencing the crest of a career that has advanced smoothly. Growing up in Liverpool, he encountered little teasing for his early passion in ballet. Entering the Royal Ballet School at 11, he graduated straight into the troupe and was advanced each year, reaching the top rank of lead dancer in 2018. He has loved taking on meaty characters, particularly the emotional turmoil found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

His upcoming featured role is in a talk, in an "In Conversation" series aiming to offer intimate insights into a performer's art. He will guide the audience through a part, demonstrating his mental workflow while execution. Even in lighter works, the challenge is profound. "A classic ballet is one of the toughest technically," he notes.

The Psychological Struggle and After the Show Emotions

What about after a show, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get lost in the role, frequently I do feel self-conscious afterwards. Following an intense role I'm always like: Wow, what must people think?"

Offstage, Ball is reflective, mild-mannered, and prone to laugh at himself. But a choreographer previously remarked on a "sense of suffering in him." Is there? "I am very energetic usually, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."

Formative Drivers and Artistic Influences

His determination originated in youthful experiences. Not doing well in competitions at school made him "vengeful!" It was fuel to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

An upcoming endeavor is creating his own dance works. For Ball, "there's nothing wrong with." "Challenging the conventions is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing inspiration from literature, music, and painting.

Close-Up Dance and Private Partnership

He additionally favors staging dance in more intimate spaces. "It was just really thrilling," he says of a previous show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple aren’t typically paired on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s favorite supporter."

Regarding Instagram and Bodily Perception

On social media, fans can see videos from his projects and images that showcase a athletic physique. Does he care that the engagement can be somewhat objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He compares it to viewing Michelangelo’s David—something that can be interpreted on various levels.

Ball describes his early self as "desperate for success." Did it lived up to his hopes? "I am conscious of how life is a separate thing to the aspirations you had as a child," he reflects. He likely has about decade of dancing left. "I guess in the future, I want to be a bit more kind with myself."

Written by

Christine Coleman

Elara Vance is a health journalist and wellness coach with over a decade of experience in writing about nutrition, fitness, and preventive healthcare.

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